But Coppola’s film, irrespective of its fatal flaws and excesses, at least meant something in the context of his career.
—
David Rooney,
HollywoodReporter,
29 Sep. 2026
In Lois Lowry’s dystopian novel The Giver, a world of human complexity has been flattened deliberately to remove the inconvenient excesses of emotion and feeling.
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