This isn’t alt-country so much as death-rattle country, as though Grigoroff and Adducci took Hank Williams’ most wincingly lonesome numbers as a starting point but figured the tempos were a little too fast.
—
Zach Schonfeld,
Pitchfork,
17 Apr. 2026
But stopping the clap of Thunder and rattle of Spurs calls for something special.
Periodically a mandolin tinkles, or maybe a fiddle swoops in as if from a low-hanging cloud.
—
Theater Critic,
San Francisco Chronicle,
18 Feb. 2026
Roberts doesn’t offer much empathy for the poor, diseased critter other than a pause when Ben momentarily ponders his reflection in a pool as Adrian Johnston’s eerie synth-piano score tinkles.
The rich buttermilk ranch dressing is brightened by fresh lemon juice and zest, which balances the tang of buttermilk and sour cream with the savory herb notes of chives and basil.
—
Kimberly Holland,
Southern Living,
22 Apr. 2026
The thick, glossy coating is a perfect mix of sweet (honey), spicy (red pepper and fresh ginger), tang (vinegar) and umami (fish sauce).
By 1996, every band with a guitar felt the pressure to crank its amps as loud as possible, and even indie pop fans heard the clean jangle of prior years give way to the distorted crunch and Psychocandy worship of bands like Black Tambourine and Henry’s Dress.
—
David Glickman,
Pitchfork,
27 Mar. 2026
Koolhaas sang the joys of juxtapositions in his 1978 book Delirious New York, and here his firm has cultivated a distinctively New York–y jangle of forms in which the utilitarian becomes the theatrical.
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