As Amadeus’ brilliance continues to flourish in spite of his personal demons, a questionable reputation and scepticism from the conservative court, Salieri becomes increasingly tormented by this apparent divine gift.
—
Payton Turkeltaub,
Variety,
1 Apr. 2026
But when demons threaten to destroy the City of Immortals, her former lord Indra begs her to return—or else lose both Kaushika and her identity as an apsara.
There's also aliens or monsters or some other supernatural entity out to get them.
—
Kelly Lawler,
USA Today,
30 Mar. 2026
Sometimes darkly humorous, sometimes strangely heartbreaking, this immersive storytelling experience is Edgar Allan Poe for the modern age; a heart-to-bleeding-heart with madmen, murderers and monsters all dying to tell their story.
The script, by Ed Solomon, treats the Sklar siblings as cardboard grotesques—heartless, talentless, united in their loathing of a father who loathes them right back.
—
Justin Chang,
New Yorker,
3 Apr. 2026
Indeed, compared with the realistically creased faces and hangdog stares of the Cubs, the Boston fans behind them are closer to grotesques, an inhuman crush of caricatures.
—
Christopher Borrelli,
Chicago Tribune,
10 Feb. 2026
Dark, eerie, and paranoid (for good reason), the eight-episode season shifts back and forth from the casual grimness of an unwelcoming reality to the shocking frights of a stoner’s worst nightmare (the latter of which is shrewdly motivated by Rachel regularly smoking pot).
—
Ben Travers,
IndieWire,
26 Mar. 2026
Many movies tried to recreate its magic mixture, including some of its own sequels, but few achieved the merry concoction of frights, gore, and giggles that Craven handled so masterfully.
—
Declan Gallagher,
Entertainment Weekly,
3 Mar. 2026
Shrek and Fiona are now both full-time ogres, but Fiona’s parents (John Cleese and Julie Andrews) aren’t too thrilled, as a particularly tense family dinner scene makes clear.
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