Ella is a young woman cursed to obey all instructions whose quest for self-determination also turns her into an advocate for the kingdom’s oppressed elves and ogres.
—
Chris Bellamy,
Entertainment Weekly,
14 Aug. 2026
People are turned into wolves, there are ogres and undead creatures of the sea who lure others to their demise.
The most obvious general interpretation of Buffy’s project is that the show transmutes real teenage anxieties into monsters; every villain is a metaphor.
—
Emily Temple,
Literary Hub,
18 Aug. 2026
As fans know, no world in Stranger Things is ever void, as there are always monsters lurking nearby, namely Vecna.
In 2025, two Tasmanian devils arrived at the Australian Outback exhibit.
—
Condé Nast,
Condé Nast Traveler,
29 July 2026
Tasmanian devils suffer from Devil Facial Tumor Disease (DFTD), a highly fatal cancer spread by biting, which has devastated their population and surprisingly arose twice.
The grotesques were decorative stone faces around the castle.
—
Adam Fox,
CBS News,
14 May 2026
The script, by Ed Solomon, treats the Sklar siblings as cardboard grotesques—heartless, talentless, united in their loathing of a father who loathes them right back.
But Broadway is a different beast, and the real question is whether horror audiences are willing to go beyond their local multiplex in search of frights.
Neill Blomkamp has yet to top District 9, but this one comes closest to matching his debut’s wry social commentary and borderline-comedic grotesqueries.
—
Declan Gallagher,
Entertainment Weekly,
7 Aug. 2026
As in Pillion and elsewhere, Melling imbues a premise’s potential grotesqueries with real and specific feelings.
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