Ella is a young woman cursed to obey all instructions whose quest for self-determination also turns her into an advocate for the kingdom’s oppressed elves and ogres.
—
Chris Bellamy,
Entertainment Weekly,
14 Aug. 2026
People are turned into wolves, there are ogres and undead creatures of the sea who lure others to their demise.
They’re rooted in a time and place that feels all too real, and this allows the monsters to parade their primitive might in a way that means something.
—
Owen Gleiberman,
Variety,
27 Sep. 2026
The poet, Pavese implies, is a creature of Chaos—that anarchic state in which good is mixed with bad and monsters mingle with men and gods.
The grotesques were decorative stone faces around the castle.
—
Adam Fox,
CBS News,
14 May 2026
The script, by Ed Solomon, treats the Sklar siblings as cardboard grotesques—heartless, talentless, united in their loathing of a father who loathes them right back.
But don’t worry, all the frights and fun are still heading our way soon.
—
Jenna Ebbers,
Kansas City Star,
21 Sep. 2026
In the movie, a group of teens accidentally release a bunch of monsters from Stine’s book collection, creating complete havoc and plenty of great family-friendly frights.
Neill Blomkamp has yet to top District 9, but this one comes closest to matching his debut’s wry social commentary and borderline-comedic grotesqueries.
—
Declan Gallagher,
Entertainment Weekly,
7 Aug. 2026
As in Pillion and elsewhere, Melling imbues a premise’s potential grotesqueries with real and specific feelings.
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