The former consists of Eva Grant on lead vocals, George Jensen on lead guitar, River Chadwick on bass, Leo Giaconi on rhythm guitar and Luca Giaconi on drums.
—
Noah Lyons,
San Diego Union-Tribune,
4 Apr. 2026
Digitally tweaked to fit the syncopated rhythm and stay on key, Weir’s vocals have a discomfiting quality that’s almost certainly unintentional—especially considering how often the beauty of the Dead lied in their very human imperfections.
In between are lush and smoky country ballads shot through with irresistible melodies.
—
Joseph Hudak,
Rolling Stone,
8 Apr. 2026
The Asian version will take flight after the original contest takes place in Vienna in May, with 35 countries competing in the singing contest known for outrageous costumes, towering ballads and high-energy performances.
Her sound blends sleek electropop and dance-pop with R&B influences, anchored by a knack for radio-ready choruses.
—
Travis Pinson,
Dallas Morning News,
31 Mar. 2026
But Harriet Tubman hasn’t written verses or choruses for her, instead opting for a whirlpool of slushy guitar and sticky rhythms that swirls around Muldrow’s impressionistic declarations and assertive meditations.
These plinking, whimsical ditties—each song lasts but a minute or two at most— are evocative in their simplicity, but deceptively rich in texture.
—
Sam Goldner,
Pitchfork,
2 Apr. 2026
Later, orange lanterns carrying well-wishes floated toward the stars, mingling with the distant strains of Lao ditties from the karaoke machines of the ramshackle bars that lined the banks.
—
Chris Schalkx,
Condé Nast Traveler,
16 Mar. 2026
But those are two very different movies, and there aren’t enough achingly tender John Prine songs in the world to paper over the gap between them.
—
David Ehrlich,
IndieWire,
9 Apr. 2026
Who would have thought a suite of songs that cover being annoyed at TV chef Jamie Oliver and some rich Tesla driver moving into an old flame’s flat would be so comprehensively devastating?
The jingles and sounders used to identify CBS News network programming heard on the stations for decades have also been part of the listening experience.
—
Los Angeles Times,
Los Angeles Times,
24 Mar. 2026
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