In between are lush and smoky country ballads shot through with irresistible melodies.
—
Joseph Hudak,
Rolling Stone,
8 Apr. 2026
The Asian version will take flight after the original contest takes place in Vienna in May, with 35 countries competing in the singing contest known for outrageous costumes, towering ballads and high-energy performances.
These plinking, whimsical ditties—each song lasts but a minute or two at most— are evocative in their simplicity, but deceptively rich in texture.
—
Sam Goldner,
Pitchfork,
2 Apr. 2026
Later, orange lanterns carrying well-wishes floated toward the stars, mingling with the distant strains of Lao ditties from the karaoke machines of the ramshackle bars that lined the banks.
—
Chris Schalkx,
Condé Nast Traveler,
16 Mar. 2026
Her sound blends sleek electropop and dance-pop with R&B influences, anchored by a knack for radio-ready choruses.
—
Travis Pinson,
Dallas Morning News,
31 Mar. 2026
But Harriet Tubman hasn’t written verses or choruses for her, instead opting for a whirlpool of slushy guitar and sticky rhythms that swirls around Muldrow’s impressionistic declarations and assertive meditations.
At Merkin Hall, Chanticleer rings in the semiquincentennial with a new work by Trevor Weston, which spotlights the legacy of African American spirituals.
—
Inkoo Kang,
New Yorker,
27 Feb. 2026
As iconic church songs that have crossed over into secular spirituals, they were written to be memorable and singable, crowd-tested for at least a couple of generations.
But those are two very different movies, and there aren’t enough achingly tender John Prine songs in the world to paper over the gap between them.
—
David Ehrlich,
IndieWire,
9 Apr. 2026
Who would have thought a suite of songs that cover being annoyed at TV chef Jamie Oliver and some rich Tesla driver moving into an old flame’s flat would be so comprehensively devastating?
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