On a low-stakes follow-up to last year’s Forever, the London duo continues its evolution from wubby electroclash to toylike pop ditties and microwaved lullabies.
—
Samuel Hyland,
Pitchfork,
17 Mar. 2026
Later, orange lanterns carrying well-wishes floated toward the stars, mingling with the distant strains of Lao ditties from the karaoke machines of the ramshackle bars that lined the banks.
—
Chris Schalkx,
Condé Nast Traveler,
16 Mar. 2026
There will be cocktails, dinner and arias performed by the 2025-26 Artists in Residence.
—
Libby Smith,
CBS News,
19 Feb. 2026
Many arias from the 1800s include repeated verses to give the singers the opportunity to show off their coloratura skills by embellishing the sections of the songs the second time around.
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Pam Kragen,
San Diego Union-Tribune,
15 Feb. 2026
At Merkin Hall, Chanticleer rings in the semiquincentennial with a new work by Trevor Weston, which spotlights the legacy of African American spirituals.
—
Inkoo Kang,
New Yorker,
27 Feb. 2026
As iconic church songs that have crossed over into secular spirituals, they were written to be memorable and singable, crowd-tested for at least a couple of generations.
These include artist of the year, song of the year, pop song of the year, favorite TikTok dance, best lyrics, best music video, favorite on screen and favorite tour style.
—
Chris Willman,
Variety,
19 Mar. 2026
He is known for his distinctive style and humorous lyrics.
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