Seconds later, Bella, an 11-year-old husky, jumps in and chases the bear across the driveway and away from the child.
—
Saman Shafiq,
USA Today,
8 July 2026
Tired of spending his days simply delighting in psychological torture and revenge, Lestat publicly chases the life of a famous rock star, writing and producing an album and performing in a cross-country tour while maintaining a fake vampire persona.
Back from a hamstring injury, Teoscar Hernández rejoins a relentless Dodgers offense that pounds 17 hits and three homers in a 9-4 win over the Athletics.
—
Bill Shaikin,
Los Angeles Times,
30 June 2026
Teams go bonkers when the player pounds their school name on the bracket.
—
John Maffei,
San Diego Union-Tribune,
1 June 2026
Carlos Peucelle, Argentina vs Uruguay, 1930 Peucelle draws Argentina level by driving past two defenders and finding the far corner from an acute angle.
—
Adam Hurrey,
New York Times,
17 July 2026
The festival on Saturday and Sunday draws crowds to the Sonoma County Fairgrounds, in Santa Rosa, where scads of huge balloons are just rarin’ to get into the sky.
The deal forms part of the second phase of the Spain Audiovisual Hub plan, a government initiative aimed at strengthening the country’s film, TV and digital-content sectors while attracting international production and investment.
—
Emiliano de Pablos,
Variety,
16 July 2026
The initiative forms part of CJ ENM’s Music Creative eco-System (MCS) – which encompasses IP planning, platforms and artist management – and is aimed at driving the global expansion of K-pop.
Rubén Vargas hammers it in the from the left straight into the back of the net!
—
Andrew Greif,
NBC news,
19 June 2026
Hartthijs de Vries, the 29-year-old who has been with the team for every year of their existence, hammers the pace at the front to keep the breakaway in check.
Huckleberry is a cozy little spot that fashions itself as a sea-to-plate and farm-to-table joint with a twist of Southern charm.
—
Condé Nast,
Condé Nast Traveler,
15 July 2026
Other textures considered, Dulude-De Celles also fashions a film about exile and estrangement and sacrificing one’s identity in pursuit of self-preservation, about what a place can do to people.
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