Her direction here wisely emphasizes the actors, and possibly overdoes it with the mirrors — lotta symbolically reflective surfaces and isolating frames within frames — but there’s never the sensation that the person behind the camera is winging it.
—
David Fear,
Rolling Stone,
26 June 2026
Alexander’s staging occasionally overdoes the comic exuberance.
Chris is a freelance journalist who, when not writing, skywatching, playing games or building Lego, indulges his taste for horror, sci-fi and the post-apocalyptic.
—
Chris McMullen,
Space.com,
24 June 2026
But instead of paranoia, Spielberg indulges openness.
Cue a whole host of dodgy deals and shady string-pulling, not to mention an extramarital affair, as the entirely fictional — but no doubt true to life — character abandons any sense of morality.
—
Jon O'Brien,
Vulture,
26 June 2026
Jessie is thrilled, but her enthusiasm is crushingly fleeting, as Emily abandons Jessie with other items in a donation box on the side of the road.
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