The film marks his second time grappling with the postmodern author’s ideas on screen, following 2014’s Inherent Vice, a rueful elegy to California counterculture, which was itself the first, and to date only, official adaptation of Pynchon in cinema.
—
Rory Doherty,
Time,
26 Sep. 2025
This is her elegy, her memorial, her voice, her face.
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