That burden, along with the conventions of the true-crime genre, not to mention that of theater in service of a political point, sometimes hampers the interpretive space of the actors and the creative team, who have to spend a lot of their time getting the facts and the history across.
—
Chris Jones,
Chicago Tribune,
16 Apr. 2026
Because that is what these characters, these actors, this ‘All American’ crew and staff are after eight beautiful, hard fought, seasons together.
Upstairs, impressionists, writers, socialites, and painters who moved in Proust’s orbit, from Sarah Bernhardt to Emile Zola and Claude Monet, lent their names to a room or suite.
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