And, hey, the league is better when there are villains.
—
Aaron Portzline,
New York Times,
5 June 2026
The festive, charming and energetic North American tour of the Broadway production is packed with as much nostalgia as new characters that are doppelgangers for the original series’ heroes and villains, and who often challenge our assumptions about their infamous families.
The overpowering moral authority of wronged women, #MeToo’s skeptics alleged, would allow cynical wrongdoers to weaponize claims of victimhood for their own gain.
—
Moira Donegan,
New Yorker,
9 June 2026
Greylord was a watershed moment in its use of eavesdropping devices and a mole to obtain evidence instead of relying on wrongdoers to become government informants.
The actions of these thugs, who should be imprisoned for a long while, is the cause of denying real Knicks fans the chance to watch the game communally.
—
Voice of the People,
New York Daily News,
10 June 2026
People have committed suicide because a bunch of thugs went after them.
One of the most innovative gangsters of the 20th century, Frank Lucas earned the title of Harlem drug kingpin in the late-‘60s and early-‘70s by importing high-quality heroin from Southeast Asia and selling it under the street name Blue Magic.
—
Kevin Jacobsen,
Entertainment Weekly,
6 June 2026
Sensing this once-great dynasty is in decline, the outback’s most powerful factions — rival cattle barons, desert gangsters, Indigenous elders, and billionaire miners — move in for the kill, with billions of dollars at stake.
With how macho the mobsters all are, this causes a ton of consternation, both within the family and across the river in New York, especially considering Vito is married to Phil's cousin.
—
Austin Perry OutKick,
FOXNews.com,
10 June 2026
In the clip above, Pacino’s character is in conversation with notorious mobsters Sam Giancana (played by Paul Ben-Victor) and Johnny Roselli (played by Logan Marshall-Green).
In the past decade, the leadership of the Kinahan organization has become rich and cosmopolitan, and their life styles have started to resemble those of international businessmen more than of street hoodlums.
—
Ed Caesar,
New Yorker,
30 Apr. 2026
The first pictures McCullin took were of hoodlums and down-and-outs, subjects that reflected his own hardscrabble background.
The characters were based on a real family of bookmakers and racketeers who once lived in England.
—
Sarah Moore,
Freep.com,
5 Mar. 2026
When Ferrara was starting out, private investment in low-budget films was spurred by tax loopholes, a way for doctors, dentists, and racketeers to get rid of extra cash that would otherwise wind up in Uncle Sam’s grubby mitts.
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