In keeping with the promotion, the Sox players’ photos on the video board cast them as villains wearing black and eye patches.
—
Paul Sullivan,
Chicago Tribune,
17 June 2026
Beyond harsher criticism, sports media frames Black athletes differently — often naming them as villains, failures, antagonists or questioning their leadership when necessary.
The overpowering moral authority of wronged women, #MeToo’s skeptics alleged, would allow cynical wrongdoers to weaponize claims of victimhood for their own gain.
—
Moira Donegan,
New Yorker,
9 June 2026
Greylord was a watershed moment in its use of eavesdropping devices and a mole to obtain evidence instead of relying on wrongdoers to become government informants.
The actions of these thugs, who should be imprisoned for a long while, is the cause of denying real Knicks fans the chance to watch the game communally.
—
Voice of the People,
New York Daily News,
10 June 2026
People have committed suicide because a bunch of thugs went after them.
Neither immigrant family should be linked to violent gangsters, of course.
—
Chicago Tribune,
Chicago Tribune,
13 June 2026
One of the most innovative gangsters of the 20th century, Frank Lucas earned the title of Harlem drug kingpin in the late-‘60s and early-‘70s by importing high-quality heroin from Southeast Asia and selling it under the street name Blue Magic.
—
Kevin Jacobsen,
Entertainment Weekly,
6 June 2026
But local history, including the region’s dead mobsters, Irish Catholic community, state prisons, and shuttered Italian restaurants, looms large on their new Coin-O-Matic.
—
Arman Khan,
Pitchfork,
19 June 2026
With how macho the mobsters all are, this causes a ton of consternation, both within the family and across the river in New York, especially considering Vito is married to Phil's cousin.
In the past decade, the leadership of the Kinahan organization has become rich and cosmopolitan, and their life styles have started to resemble those of international businessmen more than of street hoodlums.
—
Ed Caesar,
New Yorker,
30 Apr. 2026
The first pictures McCullin took were of hoodlums and down-and-outs, subjects that reflected his own hardscrabble background.
The characters were based on a real family of bookmakers and racketeers who once lived in England.
—
Sarah Moore,
Freep.com,
5 Mar. 2026
When Ferrara was starting out, private investment in low-budget films was spurred by tax loopholes, a way for doctors, dentists, and racketeers to get rid of extra cash that would otherwise wind up in Uncle Sam’s grubby mitts.
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