Set between the late 1930s and 1954, the movie retells the Algerian War of Independence through the eyes of a peasant farmer, exploring the roots of the movement and depicting the harshness of French colonial rule.
—
Melanie Goodfellow,
Deadline,
28 May 2025
Part 2: fifteen years later, while fleeing Petrograd, Nabokov’s father is accosted on a bridge by a gray-bearded peasant, who asks for a light and proves to be Kuropatkin in disguise.
Not only does the peon and con man Tom end up refashioning himself as the rich and carefree Dickie, but Highsmith’s novel itself was a retelling of Henry James’s The Ambassadors.
—
Hillary Kelly,
The Atlantic,
19 Apr. 2024
Not afraid but brave, not weak but empowered, not peons but partners.
The ruling Liberal Democratic Party contends that opening royal status to commoners is just one step down a path that will ultimately lead to the abandonment of patrilineal legitimacy, ultimately discarding the sacred Y chromosome.
—
Timothy Nerozzi,
The Washington Examiner,
8 June 2025
Isotopes in the bones of people buried there show that the city attracted people from far and wide, both commoners and elites.
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