One of Panahi’s great strengths has always been his ability to incorporate allegory and metaphor without losing his grasp of character, incident, and emotion.
—
Bilge Ebiri,
Vulture,
17 Oct. 2025
Schoenbrun surrounded that message in a mesmerizing and haunting allegory, announcing themself as one of our most gifted contemporary filmmakers in the process.
Discerning viewers flock to the Greek filmmaker’s parables about family dynamics and power struggles to marinate in his deadpan humor, his aloof and somewhat anthropological look at human behavior, and the sight of Emma Stone inevitably doing something odd.
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David Fear,
Rolling Stone,
23 Oct. 2025
These parables sometimes read like gibberish, talking both down and up to the reader.
Kratos and his son Atreus traverse the nine realms, dig up old traumas, and stand off against a whole bestiary’s worth of gargantuan, flesh-eating monsters.
—
Luke Winkie,
Vulture,
1 Apr. 2025
Their violence — in medieval bestiaries, unicorns are regularly said to have beef with elephants and take them down by goring their bellies — is contrasted with their gentleness towards maidens and innate understanding of purity.
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