The production was largely a collaboration between Rylance and prose poet Louis Jenkins, who wrote more than 600 prose poems during his lifetime, many of which were adapted into the film’s screenplay, written by Rylance and Lichtscheidl.
—
Andreas Wiseman,
Deadline,
29 Apr. 2026
The first draft was incredibly experimental in terms of the prose style.
This was an obtuse and unpoetic diktat, a showy way to miss the fact that a song’s history—its use over time, by real people, inspired by the exigencies of ritual and action—can inform its meaning more than its mere lyrics ever could.
—
Vinson Cunningham,
The New Yorker,
15 July 2022
Atlanta and its suburbs are a surprisingly Whitmanesque experiment in pluralism, in which unpoetic concrete strip malls substitute for lyrical spears of summer grass.
—
Sanjena Sathian,
Los Angeles Times,
18 Mar. 2021
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