Cronenworth hit a grounder to the left side in last night’s eighth inning, crossed first base before the throw and raised his hands in a sort of hit hallelujah.
—
Kevin Acee,
San Diego Union-Tribune,
17 Apr. 2026
What better time to shout hallelujah than Easter Sunday?
—
Jorie Nicole McDonald,
Southern Living,
7 Mar. 2026
Nazi parades set to electronic hype music; paeans to Third Reich governance.
—
Antonia Hitchens,
New Yorker,
6 Apr. 2026
But that success also led to the sci-fi woodland antics of The Wild Robot; the Oscar-winning, postapocalyptic vision of feline collaboration in Flow; and the paean to basketball teamwork that was this year’s Goat.
In the brave new world of college basketball, which has moved on swiftly without a requiem for the old Pac-12, Popeswapped one shade of orange for a different one after several Western schools were burned by the collapse of the formerly venerable basketball conference.
—
Christian Babcock,
Mercury News,
25 Mar. 2026
Laura settles in with the secondhand sheet music: Chopin’s Prelude in E Minor, the bare, brooding requiem that was played at the composer’s funeral.
The organ that colored all the earlier tales of youthful exuberance now plays a funeral dirge.
—
David Glickman,
Pitchfork,
27 Mar. 2026
Swedish singer-composer Anna von Hausswolff, whose cathedral melodies, intense vocals and doom-laden dirges share much in common with Nordic heavy-metal culture, specializes in mystery and grandiosity.
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