The film unhurriedly lurches from one markedly similar fight scene to the next, with only Skeletor’s occasional injections of ripe innuendo to liven them up a bit.
—
Guy Lodge,
Variety,
2 June 2026
By the end, Noonan’s film stops feeling like a first date and starts to resemble the makings of a crime scene as his mood lurches toward something dangerous.
But The Gilded Age doesn’t do pure villains with its main cast, and Oscar totters between failson and tragic figure, the closeted heir of the Van Rhijn family dragged to hell and back after being defrauded of his mother’s fortune.
The first robot stumbles on aluminum debris, its wheels furiously trying to get traction and move around the obstacle.
—
Nick Paton Walsh,
CNN Money,
30 May 2026
Roher and co-writer Robert Ramsay craft a classically structured screenplay about a talented piano tuner who stumbles into a life of crime, upon which Roher, editor Greg O’Bryant, and composer Will Bates embroider jazzy rhythms and inflections, inspired by the musical world our characters inhabit.
—
Los Angeles Times,
Los Angeles Times,
29 May 2026
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