The soundtrack—by the frequent Hans Zimmer collaborator David Fleming—is a delight, a polyphonic mood board of ghost-clangs, spooky bassoons, lyrical electro-motifs, and sighing sea themes.
—
James Parker,
The Atlantic,
20 July 2026
The album’s official versions smooth out some of the buzzy sibilance of the bootlegs, but Hold Onto Me Infinity accommodates lots of tasteful clangs and wubs.
The Golf Channel would always be playing in the background; the soft claps were the soundtrack to our slow Saturdays.
—
Ivy Odom,
Southern Living,
1 Aug. 2026
One of the moments in the musical that caused the most laughter and claps from the audience was the final song, which mocks the idea of using violence as a form of protest rather than joining a movement or focusing on policy.
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