With such a sheer volume of work coming out, the anime market can get crowded, and its easy for these works to bleed together into a vague blob of gag comedies, action-adventure shows, and sickly-sweet romances.
—
Wilson Chapman,
IndieWire,
3 Apr. 2026
Dramas and comedies have struggled to attract audiences.
The role demands charisma, vocal chops, and sharp comedic timing, all deployed within one of the most cynical satires in the musical theater canon.
—
Ryan Brennan,
Kansas City Star,
10 Mar. 2026
More than a hundred years before the French Revolution, his riotous, scathing satires dared to speak truth to some of the most absolute power in the world.
Whale lusts after a hunky gardener (Brendan Fraser) and persuades him to pose for a few sketches; Julian, though bisexual, expresses no such interest in Lori, and any art-making turns out to be a gratifyingly mutual endeavor.
—
Justin Chang,
New Yorker,
3 Apr. 2026
Fast cuts, wild sketches, punchlines flying like confetti.
Two suburban groups, Plano’s Rover Dramawerks and MainStage Irving-Las Colinas, are opening the new year with farces by prolific British playwrights that are marked by mistaken identity and other comic twists.
—
Manuel Mendoza,
Dallas Morning News,
8 Jan. 2026
His air of louche mischief attended his farces about Dada and James Joyce and moral determinism, his cleverness worn as lightly as a scarf.
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