In 1966, during the 33rd Venice Biennale, Kusama staged Narcissus Garden without an official invitation, installing 1,500 reflective silver spheres on a lawn outside the exhibition grounds.
—
Tessa Solomon for ARTnews,
Robb Report,
28 Aug. 2026
This separating of spheres feels particularly crucial given the embarrassment surrounding NFTs that still lingers among many art professionals.
—
Shanti Escalante-De Mattei,
ARTnews.com,
17 Aug. 2026
Repetitive motifs in various shapes were her trademark, resembling netting, swirls or worms, but most often dots, dancing proudly on her canvases or as sparkling balls or dots of light in her installations in all their vibrant, psychedelic glory.
—
Los Angeles Times,
Los Angeles Times,
27 Aug. 2026
Sure, both signal callers struggled with bad reads, yet a few dropped balls and mental mistakes yielded a total of just 37 offensive plays.
Considering that her designs—from the quirky and unmistakable totem collars to magic floating orbs and funky-fine rings—look like nothing else and immediately spark joy, Ashley Moubayed is keeping disco very much alive.
—
Madeline Hirsch,
InStyle,
5 Aug. 2026
Onigiri Time is a tiny street cart in Pasadena that sells giant orbs of onigiri.
Seeing the world through old maps The Osher Map Library, at the University of Southern Maine in Portland, is home to half a million rare maps, globes and atlases, dating as far back as the 15th century.
—
David Morgan,
CBS News,
28 Aug. 2026
In another Amsterdam photo, a pair of identical world globes, recalling Ghirri’s passion for cartography and atlases, rest on matching supports to conjure that oldest of surrealist tropes, a pair of staring eyes.
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