Unlike some recent soft robotic concepts that resemble blobs of slime or liquid droplets, the NTU design maintains a solid but flexible structure.
—
New Atlas,
New Atlas,
8 June 2026
Nilsson’s version shares little with its source beyond Adam and Eve themselves, here recast as doughy, beigy silhouettes striking poses amid an almost psychedelic soup of parti-color fronds, blobs, and amoebas.
Dabbing the cloth in rubbing alcohol, working away the dirty blots on the glass, waiting for the haze in my head to focus, and a new line to come to me.
—
Literary Hub,
Literary Hub,
8 June 2026
One of the few blots on last summer’s Leeds copybook.
In Mexico City, Centro Culinario Ambrosía teaches the art of Mexican cuisine in a professional kitchen, walking food enthusiasts through Oaxaca’s rich moles and Yucatán’s smoky spices.
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Lauren Schuster,
Miami Herald,
9 June 2026
Food enthusiasts learn the art of Mexican cooking from Oaxaca’s rich moles to Yucatán’s smoky spices, with additional classes on more general fundamentals like laminating pastry dough.
The lines are clean and sharp, the palette muted, approaching grayscale (which makes later splashes of color, like in the gaudy decor of a talk show or the blood-rust-red of a post-apocalyptic sky, pop even more), and motion within the frame is kept to a minimum.
—
Jessica Kiang,
Variety,
12 June 2026
Hockney’s paintings of pool water and splashes demonstrated his obsession with capturing elemental natural phenomena, even in suburban settings.
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