Skip fake florals, door bows, and chimes, which can look cheap or annoy neighbors.
—
Sarah Lyon,
The Spruce,
23 June 2026
As is Takal, clearly having fun with the film’s queasy, lurching atmospherics, abetted by the sparse, shivery, atonal chimes of Jonathan Goldsmith’s score, and the floating, disembodied feel of Robert Leitzell’s camerawork.
The soundtrack—by the frequent Hans Zimmer collaborator David Fleming—is a delight, a polyphonic mood board of ghost-clangs, spooky bassoons, lyrical electro-motifs, and sighing sea themes.
—
James Parker,
The Atlantic,
20 July 2026
The album’s official versions smooth out some of the buzzy sibilance of the bootlegs, but Hold Onto Me Infinity accommodates lots of tasteful clangs and wubs.
As the hotel’s doorman, complete with top hat and tails, opens the door to its opulent lobby and a piano player tinkles keys in the distance, that dream solidifies into reality.
That’s like staying in the dugout during a bench-clearing brawl after a pitcher plonks a batter, then offering the offender a handshake the next inning.
—
Gustavo Arellano,
Los Angeles Times,
23 July 2026
The movie plunks us down at Mar-a-Lago, where Melania struts out the door and into the back of an SUV, which will take her to the red-white-and-blue private plane painted with the word TRUMP that’s waiting for her at the airport.
Soft piano music intermingles with the tweeting of sparrows outside, and my nose tingles with the heady scent of leather mixed with the musty perfume of incense burning on the windowsill.
—
Nicola Chilton,
Condé Nast Traveler,
12 Aug. 2025
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