Here, as ever, Kokopeli suggests that clinging to youthful talismans offers no protection against uncertainty, and reasserts the odd mix of disaffection and morbid glee produced by such reactionary impulses.
—
Theo Belci,
Artforum,
2 June 2026
In the dying days of the Russian Empire, highborn ladies would willingly cut the dirty fingernails of the peasant Grigori Rasputin and then sew the clippings onto their dresses like sacred talismans.
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