The title refers not only to the horror film my protagonist, Maya, is trying to make, but also to the city’s new masters and to those living in a zombified state of willful ignorance.
—
Literary Hub,
Literary Hub,
15 Sep. 2026
This year’s Cannes Film Festival was overstuffed with masters of European and Asian cinema — Hamaguchi, Farhadi, Almodóvar, Kore-eda, Mungiu, Pawlikowski, Zvyagintsev and so on.
Netflix execs no doubt long ago figured out how to tune out the nattering nabobs of negativism, understanding that such scrutiny — from both consumers and the press — is the unavoidable by-product of success.
—
Josef Adalian,
Vulture,
21 Aug. 2026
But all the nattering nabobs of negativism who’d normally have been concentrating on Maura’s catastrophic first term had to devote at least a little attention to recounting one of the Wu Klux Klan’s more embarrassing moments of 2025.
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