Based on Thornton Wilder’s The Skin of Our Teeth, the surrealist musical follows one nuclear family across thousands of years and three apocalypses.
—
Jason P. Frank,
Vulture,
10 Dec. 2025
And a lot of the pseudepigrapha, like the fake gospels and fake apocalypses, fill in gaps in the record that can serve latter-day, post-biblical purposes.
With Harry, a personal spiral is only one case away, and as the series begins, there are several percolating catastrophes that might be ready to dovetail in self-destruction.
—
Daniel Fienberg,
HollywoodReporter,
25 Mar. 2026
Not everyone can be Francis Ford Coppola, funding his own feverish catastrophes by selling off one of his vineyards.
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