This chilling, starkly beautiful ambient piece draws Nebraska’s marginal whispers to the forefront and smears them across the picture plane.
—
Sasha Geffen,
Pitchfork,
10 Mar. 2026
The five pieces offer, in turn, biomorphic hints of de Kooning, the ragged shapes of Clyfford Still, the bold geometries of Ellsworth Kelly, the paint smears of Gerhard Richter, and something that looks like toothpaste squeezed onto an orange peel.
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