Netflix announced a second melodrama last December, about the secrets and intrigues of an elite Rio de Janeiro family, created in partnership with Amaia Produções and Conspiração, with general direction by Mauro Mendonça Filho.
—
John Hopewell,
Variety,
25 May 2026
The rich textures and thick ambiance of The Eyes of Others are pure high modernist 1960s Italian cinema, but De Sica unfurls the film’s winding intrigues with a contemporary sense of suspense, carnality, and visual boldness.
Its ergonomic stand swivels, tilts, and pivots to your exact comfort, while its borderless design makes dual-monitor setups completely seamless.
—
Juhi Wadia,
PC Magazine,
22 July 2026
For as dutifully naturalistic as the setups are, the film occasionally takes on the feel of a stage play, where its latticework of accents, syntaxes, and acting styles are allowed to accentuate something other than strict verisimilitude.
This is a world of movers and shakers, and the plots have a frolicking quality that feels complementary to the Bob & Earl song that inspired the title of the first book, Harlem Shuffle.
—
Niela Orr,
Vulture,
20 July 2026
While Rhaenyra flails from one problem to the next, Ormund plots and schemes and uses his wits to undo his enemies.
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