The collective takeaway is that producing, forging and actualizing belief is a way to center oneself, turn the volume down on all the noise out there, and feel… well, to put it simply, good.
Here, with Erivo embodying everyone from vampire to vampire hunter, doctor to madman, lover and suitor, there is a growing sense of connection between them all, particularly a well of unconscious desire that Dracula is reflecting, rather than merely exploiting.
Yeo’s character, a beer supplier at a hawker centre, is an immigrant woman who arrives in the lives of a father and son, embodying the film’s central tension between belonging and estrangement.
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