Companies and wealthy scions donate to museums and sponsor exhibitions all the time, sure.
—
Matteo Wong,
The Atlantic,
25 Mar. 2026
Fittingly, the song’s thumping beat is heard twice, real loud, in Rosebush Pruning, Karim Aїnouz’s high-gloss, pitch-dark satire about an American family described by one of its scions as mediocre, vapid egotists, who will never have to work thanks to a large inheritance.
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