biographical name \mə-ˈzä-ch(ē-ˌ)ō\

Definition of MASACCIO

1401–1428 originally Tommaso di Giovanni di Simone Guidi Ital. painter


biographical name    (Concise Encyclopedia)

The Tribute Money, fresco by Masaccio, 1425; in the Brancacci Chapel, …—SCALA/Art Resource, New York

(born Dec. 21, 1401, Castel San Giovanni, Duchy of Milan—died autumn 1428, Rome, Papal States) Italian painter. Little is known about him until 1422, when he entered the artists' guild in Florence. Giotto probably influenced his massive figures and spare composition, but the gestural and emotional expression in his rendering of the human body are closer in spirit to Donatello. In his most famous work, the frescoes in the Brancacci Chapel of Florence's Santa Maria del Carmine (c. 1425–28), painted in conjunction with his sometime partner, Masolino, his figures are constructed with strongly differentiated areas of light and dark that give them a three-dimensional effect. His Trinity fresco (c. 1427–28) in Florence's Santa Maria Novella is the first extant example of the systematic use of one-point perspective in a painting. He went to Rome in 1428 and died there so suddenly that some people suspected he had been poisoned. The rationality, realism, and humanity of the art he created in his brief six years of work inspired the major Florentine Renaissance painters of the mid-15th century and ultimately influenced the course of Western painting.

Variants of MASACCIO

Masaccio orig. Tommaso di Giovanni di Simone Guidi


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